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In Search of Sunrise, Vol. 4: Latin America

Though he's as close to being the quintessential trance DJ as anyone, Tiësto has in the past used his mix records to drop new, sometimes challenging material (e.g., 2003's Nyana). But that's never been what the Sunrise records are about. Like 2004's Olympics-anthem release Parade of the Athletes, the vibe is all-inclusive, overtly positive, and infused with a strong orchestral bent that broadens its appeal. The first disc works up a lather after a lukewarm start, ending strongly with tracks from Gabriel & Dresden and BT ("Force of Gravity," spiffed up with a Tiësto remix). The second disc isn't so shy, though the Ibiza sheen gets a little glossy. If there's one thing this DJ can do, it's convincingly integrate a distinctive vocal ("Silence," anyone?), and his collaboration with Aqualung's Matt Hales on "UR" is no exception. One gets the sense that Sunrise 4 could have been just one disc and still delivered the essential punch--but even though it's a bit bloated, this collection unquestionably has the epic heft for which Tiësto is known and revered. --Matthew Cooke

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Futures

Box set;

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Customer Review:

It keeps getting better!!!

DJ Tiesto is one of those DJ's out there who can pick 3 12" records out of crates of 1000, and make a set. His talent for listening is much like Oakenfold early on, before he went too big. The Search for Sunrise albums are a series that refuses to settle for less. Each track compliments the other, and is put together with perfection by Tiesto. Its a shame Tiesto's label isn't Perfecto Records, because he proves time and time again that his style and skill at set building doesn't get old and outdated. I feel like each of these records is an emotion, a feeling that Tiesto feels when he thinks about his life touring, meeting people, and having fun. It just so happens that these records can represent other listeners emotions. Nevertheless, this fourth installment of SFS shines on through, and doesn't feel like a big production company chose the tracks. Keep em' coming, Tiesto!!!!!!

Tiesto Does It Again

Tiesto does it again with ISOS 4! True, the chilled out vibe from ISOS 3 isn't there but this is a great mix. CD 1 is a bit more esoteric and takes a while to get used to, but there are some great tunes on there and the Latino spice throughout makes it a great compilation. Track 4 is great and the Blank & Jones remix of "Perfect Silence" at the end is just thumpin'. My God, you just want to get up and MOVE when it begins.
CD 2 is the cream. Tiesto has done it again 'cause--and this might sound cheesy--you don't hear his ISOS mixes you EXPERIENCE them. This one's no different. CD 2 doesn't make you move--it is movement. Just a great mix of songs, transitioning to different beats keeps you on your feet as the music just gets inside you and courses through your veins. Listening to this makes me think of steamy summer nights, a dark club and incredibly hot chicks dressed to kill bumping endlessly to this. Tracks 1, 8, 10, 13 are outstanding, but the best is 14 which is the best Eurotrance I've ever heard. You won't be disappointed.

TRUST MY REVIEW!!! ... I know what I'm talking about!!!

I'm not going to go on and on about ISOS 4. Just know that this is one of the most creatively mixed trance compilations I've ever heard. Tiesto seemlessly mixes different genres of trance. The first disc begins melow with a bit of a latin flare, takes you into track 8, "My World" (one of the most sultry, suductive trance grooves I've ever heard. The second disc is flawless from beginning to end!!! Tracks 1 - 4 ?... PERFECT ! Tracks 6 through 10 MIND-BLOWING, especially track 9, "Gravity", with its deep-ripping, synthesized bass line. WOW!

This album surpasses Tiesto's Nyana...in my opinion. He definately delivered a new, fresh mix of seemless, ambient, heart-thumping trance !!! GO BUY IT !!!

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Keywords: Club/Dance; Dance Music; Electronic; Pop; Progressive Trance; Trance;

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Ladies in Lavender

The screenwriting/directing debut of veteran British stage and screen actor Charles Dance tells of a pair of Cornish spinsters (Judi Dench and Maggie Smith) who discover a charismatic young Polish violin virtuoso castaway (Daniel Bruhl) on the beach below their home. The tale leads inexorably to tender romantic conflicts and a warm concert house finale. Composer Nigel Hess masterfully utilizes his background as Music Director and House Composer for the Royal Shakespeare Company to conjure a score that evokes its quiet, emotional dignity via neo-classical orchestral arrangements that feature real life young virtuoso Joshua Bell on solo violin. Hess' intimate original compositions form a virtually seamless tapestry with the story's requisite classical repertory choices, which range from Massenet and Debussy to Bell's delightful variations on Paganini's "The Carnival of Venice." --Jerry McCulley

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Futures

Soundtrack;

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Customer Review:

Another great by Joshua Bell

This CD is very enjoyable to listen to. I highly recommend it, especially if you have any other of Joshua Bell's music.

Joshua Bell is Perfection!

This soundtrack CD is musical velvet by Joshua Bell and adds depth to this touching movie. Listening to it again and again, fills my soul with sweetness, intended only for those who feel to the core of the heart.

Pure bliss

This soundtrack, with solo violin playing by Joshua Bell is a must have for anyone enjoys Classical Music. If you've seen the film, you will know what I mean. Nigel Hess' original composition :Fantasy for violin and orchestra, featured at the end of the movie is beautiful indeed.

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Keywords: Concerto; Film; Film Music; Keyboard; Pop; Prelude for Keyboard; Soundtrack; Soundtracks & Film Scores; Violin Concerto;

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George Is On

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Customer Review:

Old School Dance Brilliance!!

This 2-disc compilation from deep Dish takes us back to the days of good ol' dance remixes and catchy house music, as in the Thunderpuss mix of "Mama Mia" or the Junior mix of "Xanadu." George is On similarily shamelessly provides multiple remixes of "Flashdance" with the air guitar string repeating against a thumping house beat. Disc 1 also contains other memorable dance music offerings, with stand outs such as
"No Stopping For Nicotine", "Say Hello" and "Everybody's Wearing My Head". Steveie Nicks contributes to "Dreams" (can't go wrong there) and "Sexy Ill" is one of the strongest dance tracks since "Running" from Information Society. The mood on Disc 1 fluctuates from energetic to languid, and relaly does provide a great listening experience. Disc 2 contains multiple mixes of the two best tracks on Disc 1, "Flashdance" and "Say Hello". Irene Cara's vocals work perfectly on the Hoxton Whores Remix of the track, and the Paul Van Dyk mix of "Say Hello" is haunting. Disc 2 also contains videos of these two tracks. In summary, this album reinforces that high quality and creative dance music lives!

Waste of money

I have to disagree with everyone else here. Now just to make things clear, I am no newbie club kid who needs deep dark progressive to make me happy. But this album just straight up bored the hell out of me. It is absolutely nothing like what you would expect from a Deep Dish album. Ive lived through the 80s and have no need of a hyped up CD filled with remixes of our favorites from those days. Everyone is well due their opinions so if you liked the CD all the more power to you, but for those of you out there that are Deep Dish fans please listen to this first for it is not what you are probably expecting.

George happens I guess

Nice Deep Dish released an original album with great club material. Keeping with the deep sound and adding tripped out vocals, Deep Dish indeed. Although I prefer a mixed album, this material is classic and will bring a smile to your face. Flashdance is one of the best songs of 05' and will bring you back to the sound many djs are going to like Acosta and Tiesto. Adding guitars to dubbed out vocals is the sound of today and Deep Dish might have started it. They've been on board for a long time, and top some of their best hits with this album. Stevie Nicks song and Flashing For Money are perfect to bring this mix back to earth. If you like housey trance buy this album without a hesitation.

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Keywords: Club/Dance; Dance Music; House; Pop; Progressive House; Rock/Pop; Tech-House; Trance; United States of America;

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Celtic Woman, Vol. 2

Although featuring some of the same singers who made Celtic Woman, vol. 1 so memorable (notably, Rita Connolly, Marian Bradfield, and Áine Furey), the overall tone of this second volume is at once more amorphous and less positive. New Age wall-of-sound close harmonies abound, and there are occasional nods to the Celtic electronica scene. But the tracks that make the strongest impressions are still those where the voice reigns supreme. Among the latter is The Fallen Angels' stunning a cappella version of She Moved Through The Fair, a tale of thwarted love that is surely Ireland's most chilling ghost story. Altan, led by Mairéad ni Mhaonaigh's girlish soprano, tells how easily an idealistic lover can become a embittered rake. Áine Uí Cheallaigh, accompanied only by a bodhrán, is uncommonly eloquent despite adhering to an old-style lack of histrionics. On the opposite extreme, Capercaillie's Scottish beats-and-puirt-a-beul (mouth music)-laced Hebridean Hale-Bopp is a jaunty, cutting-edge treat. --Christina Roden

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Customer Review:

Wonderful Music

I bought this cd for my husband for his birhtday. We really like celtic and irish music. This cd is very good. We would buy another one in this series.

Not the quality of the first

I was anxiously awaiting the arrival of this CD, it took three weeks between the order and the time it arrived. Was it worth the wait? Yes, but I was still a little disappointed. It wasn't the CD that I was expecting. Celtic Women 1 was an amazing CD. This was still good, but not great.

Still, the CD features some return visitors from the first and a few great songs amongst them. Aine Furey makes a triumphant return with the song Vanities child, which highlights her haunting voice. I anxiously await the release of her band, Bohinta's new CD.

Highlights are:
Rita Connolly - Valparaiso
Fiona Joyce - Lifting the veil
Aine Furey - Vanity Child

If you don't have the first one, buy it first. Followed by the Faire Celts CD which is another tremendous display of the female Celtic voice.

worth the coin

skip vol. 1 and buy this 2nd volume. It will keep you interested for more than one spin.

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Keywords: British Folk; Celtic; Celtic Fusion; Celtic New Age; Celtic/Irish; Contemporary Celtic; Int'l & World Music; Irish Folk; Pop; Traditional Celtic;

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